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The Sword of Justice [Shengjian pingyuan] FILES Introduction; video (1); production background (3); news (1); essay (1) 1. | Data Type: video Publisher: Hong Xiuyu Opera Troupe [Hongxiuyu gejutuan] Date: 1997 Language: Minnan Taiwanese |
1. | Data Type: production background Author: Huang, Ying-xiong Source: Luohanjiao: Gezaixi Scripts by Huang Ying-xiong [Luohanjiaozai Huang Yingxiong gezaixi juben ji] Place: Taipei Publisher: Wenshizhe Publishing Co. Date: 2002/9/1 Pages: 165-166 Language: Chinese Abstract: a list and description of the roles | 2. | Data Type: production background Author: Huang, Ying-xiong Source: Luohanjiao: Gezaixi Scripts by Huang Ying-xiong [Luohanjiaozai Huang Yingxiong gezaixi juben ji] Place: Taipei Publisher: Wenshizhe Publishing Co. Date: 2002/9/1 Pages: 165 Language: Chinese Abstract: The story is reset in ancient China, and conforms to Chinese values. | 3. | Data Type: production background Author: Huang, Ying-xiong Source: Huang Ying-xiong's Blog [Huang Yingxiong de dianying buluo] Publisher: Sina Blog Date: 2008/3/11 Language: Chinese Abstract: The writer is this production’s playwright. The part in which the queen marries the brother was profoundly adapted in accordance with Taiwan’s sentiments. To meet this production's ideal of happiness and hope, forgiveness and reunion is added to the end. Characters such as Prime Minister Machang, Ma Rulong and Matsu Temple are the playwright’s efforts to localize and place this production in the context of Taiwanese opera. The playwright claims it a successful adaptation. |
1. | Data Type: news Author: Ji, Hui-ling Source: Min Sheng Daily [Minsheng bao] Place: Taipei Date: 1997/5/10 Language: Chinese Abstract: The play's script and characterization follow the conventions of gezaixi and even Mazu figures in the play. |
1. | Data Type: essay Author: Hong, Xiu Yu Source: sgwritings Place: Singapore Publisher: www.sgwritings.com Date: 2015/2/7 Language: Chinese Abstract: This is a transcript of a talk sponsored by Singapore Literature Society. The speaker recalls her fascination with gezaixi and her career in stage performance, radio broadcasr drama, and television boradcast drama, and how the genre evolved into a refined form of art. |
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